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Table of contents

Since then, he has experienced all kinds of jobs —from those with publishing and in advertising to working with press and comics. The comic relates the friendship between Emilio and Miguel, two elderly men living in a nursing home. The tedious day-to-day life at the home is tinged with comedy and tenderness by their crazy plan.

In the even pages, the cover sketch for the English version, drawings of the process and previous bullets of the comic. In the odd pages, the final result; with colored and finished bullets. Illustrator and Creative-Director. On this page, Being Watched. He combines experimental mark-making with a strong command of drawn typography to reach any target audience with radiating concepts or beautiful simplicity. Hand drawn and laye-. Director y productor del documental Der Flying Circus.

En publica el segundo libro recopilatorio con sus obras. A la derecha, grafiti de Lake en Guadalajara Mejico , realizado en el To the right, graffitti by Lake in Guadalajara Mexico , completed in Colors and shadows that result in forms full of vibration and motion. Lake born in in East Berlin. Began spraying graffiti at thirteen, thus began his interest in mural painting in all its forms.

His works are mostly found in public spaces in Berlin. Director and Producer of the documentary movie Der Flying Circus. In publish the second art book with his artworks. The subject breaks free of the stranglehold of socially defined behaviour norms. It both flees and searches for awareness at the same time, trying to to open the path to self-fulfillment. Aunque el modo de jugar es bastante ligero, el juego es relativamente extenso con alrededor de pantallas.

Los efectos de sonido y la banda sonora han sido creados por el grupo alternativo checoslovaco DVA. The gameplay is about exploration, solving little funny puzzles, meeting strange tree creatures and listening to the music. The whole game takes place on one very big and strange tree. Despite the game-play is quite lightweight, the game is relatively huge, there will be around screens. The original soundtrack and sound effects are created by Czech alternative band DVA.

Botanicula was released in early On previous page, tree creatures. On this page, sketches of the character design.

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On the next pages, scenes of the game. Su estilo es fresco y optimista, y siempre com-.

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Their style is fresh and optimistic and always combines fantasy. Abajo, Brosmind Friends. Below, Brosmind Friends. To the right, illustration for a Gillette promo. Martin Sati gives his name to a small graphic studio located in Seville that started its professional journey in , focusing its work on art direction,. I think of myself as a graphic artisan with very sophisticated tools. The brand is headed by J. Martin, a graphic designer who studied Fine Arts in Seville, and completed his training with a period of study at the University of Winchester in the United Kingdom, which allowed him to come into close contact with contemporary artistic aspects.

Inspiration comes in many different ways, but my great reference, and the one I like to cling to, is J. Dominique Ingres. However, I have many influences and they are also very diverse; I gather graphic notes on everything I like, whether it is from the Internet, books, photographs… In my particular case, the creative base comes from. Creo que ser disciplinado y perseverante es la base para construir un buen trabajo.

Podemos decir que mi estilo es el resultado de un desarrollo creativo, pero nunca he buscado un estilo en si, es el proceso el que ha ido dando unidad a mi trabajo. Ahora estoy en un momento en el cual prefiero comenzar por los detalles e ir trabajando el conjunto hasta conseguir un resultado que sea sorprendente.

Los detalles se van expandiendo y acaban formando algo que nunca hubiera podido idear a priori. In a certain way, I feel bound to the traditional craftsman because the concept of illustration I have is very ornamented.

Therefore, I think of myself as a graphic artisan with very sophisticated tools. I believe that being disciplined and persevering is the base for building good work. I am largely self-taught. My career has made me reinvent myself and create my own working method: this can be a way of setting myself apart, with my virtues and flaws.

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We might say that my style is the result of a creative development, but I have never sought for a style. It is the process that has been giving unity to my work. When I started working as an illustrator I came from a very conventional way of thinking, so that I would begin with a general sketch, fit it, and then improve every detail until finishing it.

I believe breaking those conventionalisms and creating your own formula is important. Now I am at a point where I prefer starting with the details and working on the whole illustration until achieving an astonishing outcome.

Details expand and end up shaping something that I could never have created beforehand. Beginning an illustration without knowing where I am going motivates me, but throughout the whole process I try to use a logical and organised work method that gives sense to what I am doing. The formula I use for concocting illustrations is the chemistry of the elements, which basically consists of mixing graphic elements, arranging. These particles I create interact with each other and generate internal movements, as if in a sort of mechanism where everything works because it is in its place.

A su vez, intento que todos estos elementos evoquen una historia y un mensaje. Creo que es interesante colaborar con otros profesionales para hacer cosas que se salgan de los formatos convencionales. A ball of energy difficult to master. It really interests me that these particles I create interact with each other and generate internal movements, as if in a sort of mechanism where everything works because it is in its place. Also, I try to make all these elements evoke a story and a message. Sometimes I see myself as a crazy scientist who creates elements and mixes them.

I begin with little ideas that I materialise in icons and I structure in the following way: natural elements vegetal, animal, mineral and synthetic elements. On top of a vector base, I develop graphic elements that I combine and arrange as particles from a fluid. Depending on the chosen elements, used as a graphic palette, I build one result or another. The method I follow is fully digital.

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I reject manual sketches because I do not want to leave an excessively personal trace that affects the illustration and leads me to always make the same thing. At the moment, I am working on driving my illustration to new territories beyond paper —applying it to products, spaces, etc.. The work I make stands between illustration and graphic design, and this gives me the chance to sneak into new fields without feeling an intruder.

From interior design to fashion design, I believe it is interesting to collaborate with other professionals to make new things that break out of conventional formats. Kamil Polak, director of the film, studied classical music, ballet and painting at the College of Fine Arts in Warsaw. His love of storytelling brought him to film-making, and in animation he has found the opportunity to combine his classical training in drawing and painting with his love of music. La ciudad empieza a arder y la gente huye a cobijarse en la iglesia y ora por su. Sus oraciones son contestadas con un diluvio que atrapa a los malhechores e inocentes por igual.

Las pinturas fueron tratadas digitalmente y divididas en capas a fin de lograr profundidad y dinamismo. Human Ark is an Animation Studio based in Warsaw, which specialises in 3D animation and special effects. One of the most innovative and best resourced producers of internationally-coproduced animated features. Scenes from the animation where we can appreciate the special texture of the oil paintings.

The Lost Town Of Switez is a short animated film 21 min. It tells about a ghostly town deluged after a bloody massacre. As the town is set on fire, the towns people flee into their church, and pray for salvation. Their prayers are answered. But the innocents are transformed into lilies, which to this day cover the entire surface of the lake.

The next day our young traveler, stunned but alive, is pulled out of the lake from amongst the lilies. The film was created in an original combination of 3D animation and classic animation painted with oil paints.

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The finished paintings were put into the production computers and split into layers in order to achieve depth and dynamism. I look forward to the release of "Dorothy and the Wizard of Oz" next! Jan 03, Karissa rated it it was amazing Shelves: This was a fantastic book I really really enjoyed it. I loved the illustration and colors and really enjoyed that Dorothy was back in the story.

Dorothy has returned to Oz with her only company being the chicken Billina. Right off the bat they run into some very scary Wheelers and find and activate Tik-Tok who assists them in their flight from the Wheelers. The whole thing culminates in Dorothy meeting up with her friends from the first book and facing off with the Nome King. I have absolutely loved these graphic novel retellings of the Oz series. I loved how the Wheelers and the Nome King were portrayed.

I also really enjoyed the fact that Dorothy joins forces with Ozma in this book. They are both strong and interesting female characters that I like reading about.